Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (2024)

Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (1)

There is a long cute thread that ties all these things together

ByAlma Reyes

June 18, 2021

Even if you don’t know what the word “kawaii” means, you’re surely aware ofkawaii culture. It pervades almost every aspect oflife in Japan. When a girl is girly, she’s deemed kawaii. Whena child makes a mistake, it’s deemed kawaii. In Japan’s cute culture, pets, mascots and weird drawings can be seen as kawaii. And no matter how different, these things are all connected.

History of Kawaii

The historical origin of the word kawaii can be traced back as far as the 11th centuryto the popular Japanese novelThe Tale of Genji. In the story, the wordhad the connotation of“piteous, pitiable” (from the word “kawaisou”). Women in the bookareoftendescribed as submissive and are regularly embarrassed or repentant after makingmistakes. Additionally, they’reoften illustrated with a blushing appearance, begging for compassion.

Today, the meaning of kawaii has evolved into a word meaning cute, lovely or adorable. However,the connection to the 11th-century word remains. This is because theoften soft or innocent-looking, yielding type of woman in Japanis regarded as more pleasant and attractive.

Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (2)

A Century ofCute Stationery

Manypoint to the famous illustrator Yumeji Takehisa (1884-1934) as the man who instigated cute culture in Japan.Takehisa was recognized for painting beautiful women and children in the early 1900s. In 1914, he opened a bookshop in Nihonbashi called Minatoya. It was here where he introduced charming stationery sets. These attracted young girls who gradually used the word kawaii for cute objects.

Stationery is a vital piece of the kawaii puzzle. During the 1970s, schoolgirls began using mechanical pencils to write school notes and letters. These pencils produced fine and delicate strokes in contrast to hardwood pencils. Japanese girls subsequently started a trend of doodling with hearts, stars, faces and caricatures combined with Japanese characters.It became sopopular thatmany schools abolished the writing style as it was apparently difficult to decipher. In the 1980s, however, the publishing industry reinvigorated this juvenile aestheticas cute fashion.

Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (3)

Shojo,or young girl, has become a cultural phenomenon thatgoes beyond age. A popular cosplay costume is a school uniform with short skirts, ribbons and high socks. Then there’s the make-up which highlights the girlish look of large, exaggerated eyes, rosy cheeks and pouting lips.The physical appearance is also accompanied byahigh-pitched voice. This completes the popular picture of someone who looks and acts kawaii.

Several authors, such as Soichi Masubuchi (Kawaii Syndrome) and Tomoyuki Sugiyama (Cool Japan) have professed the sociological impact of cute culture on the Japanese sense of aesthetics. This goes beyond the essence of elegance and sophistication.Since the release of Hello Kitty in 1974, there’s been a fascinationwith anime characters and childlike illustrations. They became a national craze among women and men, both young and old. Owning a cute character, from personal accessories to household items, was seen as adorable and, therefore, kawaii.

Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (4)

The Cute Culture of Mascots

That fascination also extends to Japanese mascots, of which there are many. You have these supposedly cute, animal or humanlike characters representing institutions or serving aspromotional icons in large events and advertising. In fact, every prefecture in Japan has been designated an official mascot. There are about 3,500 regional mascots recorded nationwide. They arecalled yuru-kyara(meaning loose or relaxed character) or gotochi-kyara (local government character). The purpose they serve is that of setting a cheerful mood around the community.

There are many festivals dedicated to regional mascots, including an annual Yuru-Kyara Grand Prize event in which people vote for theirfavorite characters. The conditions for the prize selection are based on the character’s strong message of love for the local region, its unique movements and behavior and its charming yet unsophisticated features. Some of the popular regional mascots areKumamon from Kumamoto Prefecture, dressed as a black bear with red cheeks and huge eyes; Funassyi from Funabashi, Chiba Prefecture, a yellow “pear fairy” that symbolizes the popular fruit grown in the region; and Gunma-chan from Gunma Prefecture, a brown pony with a green hat.

Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (5)

Kumamon

One needs to understand the inherent Japanese culture of masksand people’s attachment to disguised imagesto understand mascots. There are masksin Noh, Kyogen, and Bunraku theatres. They can also be seen in theannual Setsubun spring festival (chasing evilspirits away) as well as various Shinto rituals. Additionally, mascots are said to be influenced by Japanese yokaior supernatural monsters from folklore, especially the Nigi-mitama peaceful spirits that convey profound wisdom about life.

Mascots as Symbols of Peace

In times of outstanding political conflicts ornatural disasters, the amicable presence of a mascot is welcomed as a symbol of peace. A recent example of this could be found in f*ckushima. After the government announced plansto release water from the damaged nuclear plant into the sea, they decided to promote the idea with a cute mascot (though the idea has since been scrapped due to a backlash).There’s even been amascot for theCovid-19 pandemic. Koronon is a pink, fluffy cat with the sign Covid-19 shining on its chest. It wears a face shield while handing out masks to passersby.

Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (6)

Manga, animation, and cosplay did not emerge in Japanese pop culture by mere accident. In a societywhere complianceis more valued than confrontation and hom*ogeneity more than uniqueness, fantasy and imagination are crucial for self-expression.Strangely,this may be a contributing factor for the superior quality of Japanese aesthetics since repressed emotions often lead tothe most passionate and deepestartwork.

Somemaydeem the unfailing admiration for mascots and cute cultureas utterly childish, but behind the guise is an animated entity that comes to life. Perhaps for many Japanese, it represents a mirror image of themselves in another unfettered universe.

There’s much more to learn about cute culture and mascots, so keep reading:

  • The Dark Stories Behind Japanese Festival Masks
  • From Kumamon to Chiitan: What’s the Deal With Japanese Mascots?
  • Photo Story: A Thought-Provoking Series Debates Kawaii Culture’s Impact on Japanese Women
  • Take a Tour of Harajuku’s Fashion Subcultures with Kawaii Guide Sarah Gil Barranco
Japan's Cute Culture: Mascots, Stationery And All Things Kawaii | Tokyo Weekender (2024)

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